design - features - corporate design


Lovely Bones

Aug 13, 2008

-By Katie Weeks, Photography by David Wakely


contract/photos/stylus/34454-Smith-LG.jpg

Photo by David Wakely

They say you never get a second chance to make a first impression. But sometimes, a second look doesn't hurt. Just ask the Workplace Studio in SmithGroup's San Francisco office.

After more than five years in a landmark building in San Francisco, the firm wanted a more collaborative environment. In scouting locations, the possibilities included two floors in the historic Bently Reserve building a few blocks from SmithGroup's old space. Previously occupied by a law firm, the two floors were, at first glance, outdated and compartmentalized with an abundance of private offices. What's more, the move would spread the firm across two floors. These factors seemed to go against SmithGroup's goal of a more collaborative environment. "We thought it might work, but it just didn't show that well," recalls William Loftis, AIA, LEED AP, vice president and design principal of SmithGroup's San Francisco Workplace Studio.

Shortly thereafter, however, the landlord gutted the interior, leaving only the perimeter drywall, and a second walk-through revealed possibilities that previously were hidden. "We could see existing brick walls and the enormous seismic steel beams that had been installed in the late 1980s peaking out from behind the drywall," Loftis says. "There was brick, steel, exposed concrete, and almost 20 ft. between floors. It was an architect's heaven."

The designers admired the rugged shell and dramatic floor-to-ceiling expanses so much, in fact, that they left them as the backdrop for a progressive interior scheme. Although the C-shaped floor plate is similar to the firm's previous office (which had proven problematic when it came to fostering collaboration), the new, 36,000-sq.-ft. office's organization emphasizes a sense of openness and interaction. Studios work in low-rise workstations clustered around common spaces outfitted with impromptu meeting tables and chairs. Fears about potential isolation on each floor quickly were calmed with the installation of a large staircase created from steel, glass, and reclaimed teak, which serves as a knot between the two levels. In addition, public spaces like reception, kitchens, and conference rooms are distributed around the floors to allow for spontaneous interaction.

Leaving the shell exposed not only retained the character of the Bently Reserve building (originally the branch of the U.S. Federal Reserve Bank for San Francisco), but also served as a nod to SmithGroup's commitment to sustainability. "We agreed going into the project that the space would be LEED certified because sustainability is a huge deal for SmithGroup," Loftis says. The concrete floor remains exposed, with carpet used only when necessitated by acoustics, and the building's original large, operable windows help spread natural daylight. But, while the exposed shell may have reduced materials, keeping it that way didn't directly translate to additional LEED credits. "Leaving everything raw was clearly a sustainable decision as well as an aesthetic one because you use the least amount of materials possible. But it's funny because, unless you go for innovation credits, you don't get credits for not using materials," Loftis says. Nonetheless, the space is slated to achieve LEED-CI Gold certification thanks to a range of initiatives including self-adjusting supplemental lighting, operable windows, and low-VOC paints and sealants. Also, installing a green roof helped solve the dilemma of a pre-existing, 3,000-sq.-ft. terrace. The terrace, which was considered an assembly space during code analysis, had such a high occupancy level that the existing stairs of the building would be insufficient in meeting egress requirements. Rather than replace all of the stairs, the designers planted a modular green roof with low-water native grasses and poppies, which reduced the terrace's occupancy levels and also created a refuge for employees.

A commitment to sustainability wasn't the only initiative discussed from the get-go. Loftis and his team also decided the project would be a BIM pilot project for the studio. "We certainly didn't make it easy for ourselves," he admits. The hard work, however, paid off. The space, which SmithGroup occupied July 2007, may be a little rough around the edges, but the firm wouldn't have it any other way.



who
Project: SmithGroup San Francisco Office. Client: SmithGroup. Architect, interior designer, lighting designer: SmithGroup; Juhee Cho, IIDA, LEED AP; Will Loftis, AIA, LEED AP; Terry Lew; Drew Padilla; Neil Wallis; Gina Simidjian; Vanessa Thornton; Thomas Worden; Genvieve Zemke. Structural engineer: Murphy, Burr, Curry. Mechanical/electrical engineer: Glumac. General contractor: BCCI. Acoustician and audio visual: Shen Milsom & Wilke. Furniture dealer: COG. Photographer: David Wakely.

what
Wallcoverings: Maharam, Designtex. Paint: Dunn-Edward. Laminate: Pionite. Dry wall: California Drywall, Co. Masonry: Stepstone, Inc., Walker Zanger/San Francisco Marble. Flooring: Terramai reclaimed teak flooring, CT Densifyer as floor and wall seal. Carpet/carpet tile: Fortune Contract. Carpet fiber: Ultron Type 6.6 by Solutia. Carpet backing: Action Bac. Ceiling: Armstrong. Lighting: 3G Lighting, Lighting Services, Ledalite, Cooper Lighting, Se'Lux, Lightolier, Alkco , DeltaLight, Delray Lighting, Erco, RSA Lighting, Vode Lighting. Doors: Eggers Industries. Door hardware: Sadev, Schlage. Glass: Pilkington. Window treatments: Cutting Edge Drapery. Railings: Custom by Mission Glass and B Metal Fabrication with CR Laurence spiders and cherry rails by Commercial Casework Interiors. Workstations: Haworth. Workstation seating: Herman Miller. Lounge seating: Knoll, Source International, Existing/Reuse. Private Office/Conference: Vitra, Gordon International. Other seating: Bernhardt, Stylex, Gordon International. Upholstery: Maharam, HBF Textiles. Conference table: Nienkamper, Dates-Weiser. Cafeteria, dining, training tables: Harter. Other tables: Peter Pepper Products. Files: Haworth. Shelving: Metro. Architectural woodworking, cabinetmaking: Commercial Casework, Inc. Planters, accessories: Modular green roof system by LiveRoof; plant materials by Native Sons; landscaping by Jensen Corporation Landscape Contractors. Signage: 2/90 Sign Systems, 3form. HVAC: ATS, Mammoth, Titus, Ruskin, Greenheck. Fire safety: McMillan, Detection Logic, and Ayoob & Perry Plumbing Co. Building management system: Lutron EcoSystem. Plumbing fixtures: Kohler, Haws, Pasco, Miele, Elkay, Sloan Valve Company, American Standard, AO Smith.

where
Location: San Francisco, CA. Total floor area: 34,200 sq. ft. with a 2,900 sq. ft. private terrace. No. of floors: Two. Average floor size: 17,900 sq. ft. Total staff size: 137. Cost: $3.8 million.


SaveE-mailPrintMost PopularRSSReprints

ChetanLovely Bones

Aug 13, 2008

-By Katie Weeks, Photography by David Wakely


contract/photos/stylus/34454-Smith-LG.jpg

Photo by David Wakely

They say you never get a second chance to make a first impression. But sometimes, a second look doesn't hurt. Just ask the Workplace Studio in SmithGroup's San Francisco office.

After more than five years in a landmark building in San Francisco, the firm wanted a more collaborative environment. In scouting locations, the possibilities included two floors in the historic Bently Reserve building a few blocks from SmithGroup's old space. Previously occupied by a law firm, the two floors were, at first glance, outdated and compartmentalized with an abundance of private offices. What's more, the move would spread the firm across two floors. These factors seemed to go against SmithGroup's goal of a more collaborative environment. "We thought it might work, but it just didn't show that well," recalls William Loftis, AIA, LEED AP, vice president and design principal of SmithGroup's San Francisco Workplace Studio.

Shortly thereafter, however, the landlord gutted the interior, leaving only the perimeter drywall, and a second walk-through revealed possibilities that previously were hidden. "We could see existing brick walls and the enormous seismic steel beams that had been installed in the late 1980s peaking out from behind the drywall," Loftis says. "There was brick, steel, exposed concrete, and almost 20 ft. between floors. It was an architect's heaven."

The designers admired the rugged shell and dramatic floor-to-ceiling expanses so much, in fact, that they left them as the backdrop for a progressive interior scheme. Although the C-shaped floor plate is similar to the firm's previous office (which had proven problematic when it came to fostering collaboration), the new, 36,000-sq.-ft. office's organization emphasizes a sense of openness and interaction. Studios work in low-rise workstations clustered around common spaces outfitted with impromptu meeting tables and chairs. Fears about potential isolation on each floor quickly were calmed with the installation of a large staircase created from steel, glass, and reclaimed teak, which serves as a knot between the two levels. In addition, public spaces like reception, kitchens, and conference rooms are distributed around the floors to allow for spontaneous interaction.

Leaving the shell exposed not only retained the character of the Bently Reserve building (originally the branch of the U.S. Federal Reserve Bank for San Francisco), but also served as a nod to SmithGroup's commitment to sustainability. "We agreed going into the project that the space would be LEED certified because sustainability is a huge deal for SmithGroup," Loftis says. The concrete floor remains exposed, with carpet used only when necessitated by acoustics, and the building's original large, operable windows help spread natural daylight. But, while the exposed shell may have reduced materials, keeping it that way didn't directly translate to additional LEED credits. "Leaving everything raw was clearly a sustainable decision as well as an aesthetic one because you use the least amount of materials possible. But it's funny because, unless you go for innovation credits, you don't get credits for not using materials," Loftis says. Nonetheless, the space is slated to achieve LEED-CI Gold certification thanks to a range of initiatives including self-adjusting supplemental lighting, operable windows, and low-VOC paints and sealants. Also, installing a green roof helped solve the dilemma of a pre-existing, 3,000-sq.-ft. terrace. The terrace, which was considered an assembly space during code analysis, had such a high occupancy level that the existing stairs of the building would be insufficient in meeting egress requirements. Rather than replace all of the stairs, the designers planted a modular green roof with low-water native grasses and poppies, which reduced the terrace's occupancy levels and also created a refuge for employees.

A commitment to sustainability wasn't the only initiative discussed from the get-go. Loftis and his team also decided the project would be a BIM pilot project for the studio. "We certainly didn't make it easy for ourselves," he admits. The hard work, however, paid off. The space, which SmithGroup occupied July 2007, may be a little rough around the edges, but the firm wouldn't have it any other way.



who
Project: SmithGroup San Francisco Office. Client: SmithGroup. Architect, interior designer, lighting designer: SmithGroup; Juhee Cho, IIDA, LEED AP; Will Loftis, AIA, LEED AP; Terry Lew; Drew Padilla; Neil Wallis; Gina Simidjian; Vanessa Thornton; Thomas Worden; Genvieve Zemke. Structural engineer: Murphy, Burr, Curry. Mechanical/electrical engineer: Glumac. General contractor: BCCI. Acoustician and audio visual: Shen Milsom & Wilke. Furniture dealer: COG. Photographer: David Wakely.

what
Wallcoverings: Maharam, Designtex. Paint: Dunn-Edward. Laminate: Pionite. Dry wall: California Drywall, Co. Masonry: Stepstone, Inc., Walker Zanger/San Francisco Marble. Flooring: Terramai reclaimed teak flooring, CT Densifyer as floor and wall seal. Carpet/carpet tile: Fortune Contract. Carpet fiber: Ultron Type 6.6 by Solutia. Carpet backing: Action Bac. Ceiling: Armstrong. Lighting: 3G Lighting, Lighting Services, Ledalite, Cooper Lighting, Se'Lux, Lightolier, Alkco , DeltaLight, Delray Lighting, Erco, RSA Lighting, Vode Lighting. Doors: Eggers Industries. Door hardware: Sadev, Schlage. Glass: Pilkington. Window treatments: Cutting Edge Drapery. Railings: Custom by Mission Glass and B Metal Fabrication with CR Laurence spiders and cherry rails by Commercial Casework Interiors. Workstations: Haworth. Workstation seating: Herman Miller. Lounge seating: Knoll, Source International, Existing/Reuse. Private Office/Conference: Vitra, Gordon International. Other seating: Bernhardt, Stylex, Gordon International. Upholstery: Maharam, HBF Textiles. Conference table: Nienkamper, Dates-Weiser. Cafeteria, dining, training tables: Harter. Other tables: Peter Pepper Products. Files: Haworth. Shelving: Metro. Architectural woodworking, cabinetmaking: Commercial Casework, Inc. Planters, accessories: Modular green roof system by LiveRoof; plant materials by Native Sons; landscaping by Jensen Corporation Landscape Contractors. Signage: 2/90 Sign Systems, 3form. HVAC: ATS, Mammoth, Titus, Ruskin, Greenheck. Fire safety: McMillan, Detection Logic, and Ayoob & Perry Plumbing Co. Building management system: Lutron EcoSystem. Plumbing fixtures: Kohler, Haws, Pasco, Miele, Elkay, Sloan Valve Company, American Standard, AO Smith.

where
Location: San Francisco, CA. Total floor area: 34,200 sq. ft. with a 2,900 sq. ft. private terrace. No. of floors: Two. Average floor size: 17,900 sq. ft. Total staff size: 137. Cost: $3.8 million.
 


Post a Comment
Asterisk (*) is a required field.
*Username: 
*Rate This Article: (1=Bad, 5=Perfect)

*Comment:
 

recent corporate design features

Autodesk

Virtual Reality

December 15, 2008 - Skidmore, Owings & Merrill creates a user-friendly customer briefing center for Autodesk® that transforms the digital into the physical

more


Autodesk

Virtual Reality

December 15, 2008 - Skidmore, Owings & Merrill creates a user-friendly customer briefing center for Autodesk® that transforms the digital into the physical

more




industry news briefs

advertisement


advertisement

Contract Magazine is devoted to highlighting creative interior design trends and ideas that are shaping the industry on a daily basis. Contract is proud to provide you with the most comprehensive coverage of commercial interior design products and resources that procure uniqueness when designing a space. Contract is the modern interior design magazine that recognizes fresh interior design ideas and projects powerful interior design resources.

 

Contract Magazine Home | Interior Design News | Interior Planning Products | Interior Design Research | Interior Design Competitions | Interior Design Resources | Interactive Interior Designing | Contract Design Magazine | Newsletter | About Us | Contact Us | Advertising Opportunities | RSS | Sitemap

© 2008 Nielsen Business Media, Inc. All rights reserved. Terms of Use | Privacy Policy