design - features - corporate design
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Reading Room
11 September, 2009
-By
Jennifer Busch, Photography by Peter Vanderwarker
By the year 2000, the 29,000-sq.-ft. Crandall Public Library in Glens Falls,
N.Y.—designed by renowned architect Charles A. Platt in 1931 as his last civic
building—was literally busting at the seams. Books were permanently being stored
on carts, the children's room was too crowded to allow tables and chairs and
books there were being stored on shelves over 90 in. tall, and there was not
enough room to accommodate the library's robust program of cultural and
community events. Over the years, a series of design interventions and a bad
addition had also left the three-story building with 15 full or partial floors
and a host of ADA issues. Yet that year a bond referendum to renovate and expand
the library failed at the polls. "There was such a public outcry," recalls
Crandall Library's director, Christine McDonald. "People were asking, 'What's
wrong with the building?'"
When a second bond referendum for renovation
and expansion came up for a vote in 2005, this time the library was better
prepared, staging more than 60 public meetings to educate residents on the need
for renovation and expansion. Topics of discussion focused on the overcrowding,
the inadequate lighting throughout the building, and the dilapidated HVAC system
that had been non-functional from May to November. "We made it clear that we
were not going to pour any more money into this building," says McDonald. The
referendum passed, and Boston-based Ann Beha Architects (ABA), with extensive
experience in both historic restoration and new construction for civic
buildings, won the commission from a field of four firms interviewed.
The
basic program was straightforward: more space via expansion for books, quiet
reading, teen and children's programs, and community and cultural programs; a
complete overhaul of existing mechanical, electrical, and plumbing systems to
better accommodate both people and technology; adequate lighting; improved
access for patrons with disabilities; adequate and upgraded administration
space; and an historic restoration of the existing Platt building. In addition,
the design needed to provide excellent site lines for improved security; views
and access to the outdoors (especially since Crandall sits adjacent to a public
park); more natural light; a more commanding presence on the street; a warm,
welcoming environment; and a LEED-certifiable building. "We were really bringing
the library up to a 21st century use," says Steven Gerrard, an associate with
Ann Beha Architects. "The original 1931 design was for a very different
demographic. Crandall needed a new building that was super dynamic, with all
kinds of functions that were not included in libraries back then." Two of
Crandall's key treasures—a local culture program that is essentially a museum of
Adirondack history and folklore, and an exceptional independent and art film
program curated by McDonald—were top of mind.
First things first,
the architecture of the expansion added 52,500 sq. ft. to the library, and
brought the façade and a commanding entrance right up to Glen Street, the city's
main thoroughfare. The original building's entrance on the park was also
preserved for nostalgic purposes, so in effect there are now two main entrances
to the library. "The architecture now completes the street façade, which is that
of a classic, all-American town," says Gerrard. "The new wing comes right out
and meets the street." At this entrance, a metal, cascade-like sunscreen makes
reference to the town's natural namesake, the Glens Falls waterfall on the
Hudson River.
The historic building was completely restored, though ABA
did not conduct a truly faithful historic preservation. And contrary to what one
might expect, the historic building now houses the technological heart of the
library. This is where both the computer lab and computerized information
commons are located. By contrast, a quiet reading room extending off the side of
the historic building like a light-filled porch and linking the building with
its park surroundings, and a "living room" complete with a working fireplace
offer a variety of seating and reading options. An atrium that had been covered
in an earlier renovation was revealed and allows natural light to stream into
the space. "The old building is so beautiful now," says McDonald. "When the
building first opened, some people were weeping."
The new addition
matches the height and rhythms of the historic building, but contrasts its
solid, brick facade with a "bridge" transition clad primarily in glass. "We
definitely wanted the new building to stand out as a building of its own time,"
explains Gerrard. "But where the building meets the street, its massing,
materials, and windows all respond to the rhythm of the streetscape. The
connection building of glass serves as a bridge between the old and the new."
The addition houses the bulk of the book stacks and includes a family
focus center; a multipurpose room that serves as everything from a community
meeting room to a concert venue to an auditorium for film projections; the
Adirondack history gallery, reading room, and archives; a new teen center that
enjoys high visibility from the street; a greatly expanded children's area; and
a high-tech, self-check-out system that makes Crandall one of the most
technologically advanced libraries in New York State. Aesthetically, the
addition also is quite distinct from its historic companion. "We really wanted
the new interiors to contrast with those of the old," notes Gerrard. So while
the original building's interiors are defined and cozy, the addition's interiors
reflect its need to be open, flexible, and constantly changing. The openness and
materials used—translucent panels and lots of accent color—allow for a bright
space full of natural light, vibrancy, and views to the street and
park.
In the end, the renovation and expansion of the Crandall Public
Library was accomplished on a very tight budget of $193 per sq. ft., dictating
certain other design choices, such as exposed mechanical systems and structural
elements. Furthermore, the library is on target to receive LEED certification
some time this fall. And the results speak for themselves. According to
McDonald, library use is up 40 percent and Internet use is up 150 percent since
it opened in December 2008. "It exceeded our expectations for beauty and in
terms of functionality," says McDonald. "The building is extraordinarily
beautiful. It's a civic building the likes of which has never been seen here."
who:
Project: Crandall Public Library. Client:
Crandall Public Library. Architect: Ann Beha Architects; Pamela W. Hawkes FAIA,
principal-in-charge; Steven Gerrard, AIA, project manager; Robert Genova, AIA,
Brandon Prinzing, Robert Miklos, FAIA, Anne-Sophie Divenyi, AIA, and Grorgy
John, project team. Associate architect: JMZ Architects and Planners. Interior
designer: Design Network. Structural engineer: Schoder Rivers Associates.
Mechanical/electrical engineer: Quantum Engineering Co. General contractor: Le
Chase Co. Construction manager: The Pike Company. Landscape architect, civil
engineer: The LA Group, Landscape Architecture and Engineering. Library
consultant: Nolan Lushington. Lighting designer: Sladen Feinstein Integrated
Lighting. Acoustician: Acentech Inc. Graphic designer: Wojciechowski Design.
Specifications: Wil-Spec Architectural Specifications. Furniture dealer:
Creative Library Systems. Photographer: Peter Vanderwarker.
what
Wallcoverings:
Tectum Fabric, Sound Concepts. Paint: PPG. Laminate: Flomica, Nevamar. Flooring:
Permashine Polished Concrete System, Dal Tile, Nora Rubber Floors. Carpet/carpet
tile: Shaw, Mannington, Interface. Ceiling: Armstrong. Doors: Kaneer, Cherry
Hardwood Flush Doors. Skylights: Kalwall. Glass: Polygal, Lumasite. Window
frames: Kawneer Encore Storefront Glazing, Raco Aluminum. Window treatments:
MecoShade. Library and conference seating: Agati. Library and conference tables:
Versteel, KI, Krug, Palmieri. Administrative desk, files: Knoll. Administrative
seating: Stylex, Source International, Gunlocke. Lounge seating: David Edwards,
Cartwright, Carolina, August Incorporated. Other seating: KI, Thonet, Krug, OFS.
Other tables: David Edwards. Shelving: MJ Industries, Gressco, Peter Pepper.
Elevators: Schindler.
where:
Location: Glens Falls, N.Y. Total floor
area: 52,837 gross sq. ft. No. of floors: 3 + basement. Average floor size:
17,000 sq. ft. Book capacity: 164,352 (total cataloged books, adult/children),
9,454 (other print materials), 191 (electronic materials), 32,502 (audio and
video recordings), 114,862 (all other materials), 321,361(total). Seating
capacity: 500 (staff and library patrons). Cost/sq. ft.: $193.
Reading Room
11 September, 2009
Peter Vanderwarker
By the year 2000, the 29,000-sq.-ft. Crandall Public Library in Glens Falls,
N.Y.—designed by renowned architect Charles A. Platt in 1931 as his last civic
building—was literally busting at the seams. Books were permanently being stored
on carts, the children's room was too crowded to allow tables and chairs and
books there were being stored on shelves over 90 in. tall, and there was not
enough room to accommodate the library's robust program of cultural and
community events. Over the years, a series of design interventions and a bad
addition had also left the three-story building with 15 full or partial floors
and a host of ADA issues. Yet that year a bond referendum to renovate and expand
the library failed at the polls. "There was such a public outcry," recalls
Crandall Library's director, Christine McDonald. "People were asking, 'What's
wrong with the building?'"
When a second bond referendum for renovation
and expansion came up for a vote in 2005, this time the library was better
prepared, staging more than 60 public meetings to educate residents on the need
for renovation and expansion. Topics of discussion focused on the overcrowding,
the inadequate lighting throughout the building, and the dilapidated HVAC system
that had been non-functional from May to November. "We made it clear that we
were not going to pour any more money into this building," says McDonald. The
referendum passed, and Boston-based Ann Beha Architects (ABA), with extensive
experience in both historic restoration and new construction for civic
buildings, won the commission from a field of four firms interviewed.
The
basic program was straightforward: more space via expansion for books, quiet
reading, teen and children's programs, and community and cultural programs; a
complete overhaul of existing mechanical, electrical, and plumbing systems to
better accommodate both people and technology; adequate lighting; improved
access for patrons with disabilities; adequate and upgraded administration
space; and an historic restoration of the existing Platt building. In addition,
the design needed to provide excellent site lines for improved security; views
and access to the outdoors (especially since Crandall sits adjacent to a public
park); more natural light; a more commanding presence on the street; a warm,
welcoming environment; and a LEED-certifiable building. "We were really bringing
the library up to a 21st century use," says Steven Gerrard, an associate with
Ann Beha Architects. "The original 1931 design was for a very different
demographic. Crandall needed a new building that was super dynamic, with all
kinds of functions that were not included in libraries back then." Two of
Crandall's key treasures—a local culture program that is essentially a museum of
Adirondack history and folklore, and an exceptional independent and art film
program curated by McDonald—were top of mind.
First things first,
the architecture of the expansion added 52,500 sq. ft. to the library, and
brought the façade and a commanding entrance right up to Glen Street, the city's
main thoroughfare. The original building's entrance on the park was also
preserved for nostalgic purposes, so in effect there are now two main entrances
to the library. "The architecture now completes the street façade, which is that
of a classic, all-American town," says Gerrard. "The new wing comes right out
and meets the street." At this entrance, a metal, cascade-like sunscreen makes
reference to the town's natural namesake, the Glens Falls waterfall on the
Hudson River.
The historic building was completely restored, though ABA
did not conduct a truly faithful historic preservation. And contrary to what one
might expect, the historic building now houses the technological heart of the
library. This is where both the computer lab and computerized information
commons are located. By contrast, a quiet reading room extending off the side of
the historic building like a light-filled porch and linking the building with
its park surroundings, and a "living room" complete with a working fireplace
offer a variety of seating and reading options. An atrium that had been covered
in an earlier renovation was revealed and allows natural light to stream into
the space. "The old building is so beautiful now," says McDonald. "When the
building first opened, some people were weeping."
The new addition
matches the height and rhythms of the historic building, but contrasts its
solid, brick facade with a "bridge" transition clad primarily in glass. "We
definitely wanted the new building to stand out as a building of its own time,"
explains Gerrard. "But where the building meets the street, its massing,
materials, and windows all respond to the rhythm of the streetscape. The
connection building of glass serves as a bridge between the old and the new."
The addition houses the bulk of the book stacks and includes a family
focus center; a multipurpose room that serves as everything from a community
meeting room to a concert venue to an auditorium for film projections; the
Adirondack history gallery, reading room, and archives; a new teen center that
enjoys high visibility from the street; a greatly expanded children's area; and
a high-tech, self-check-out system that makes Crandall one of the most
technologically advanced libraries in New York State. Aesthetically, the
addition also is quite distinct from its historic companion. "We really wanted
the new interiors to contrast with those of the old," notes Gerrard. So while
the original building's interiors are defined and cozy, the addition's interiors
reflect its need to be open, flexible, and constantly changing. The openness and
materials used—translucent panels and lots of accent color—allow for a bright
space full of natural light, vibrancy, and views to the street and
park.
In the end, the renovation and expansion of the Crandall Public
Library was accomplished on a very tight budget of $193 per sq. ft., dictating
certain other design choices, such as exposed mechanical systems and structural
elements. Furthermore, the library is on target to receive LEED certification
some time this fall. And the results speak for themselves. According to
McDonald, library use is up 40 percent and Internet use is up 150 percent since
it opened in December 2008. "It exceeded our expectations for beauty and in
terms of functionality," says McDonald. "The building is extraordinarily
beautiful. It's a civic building the likes of which has never been seen here."
who:
Project: Crandall Public Library. Client:
Crandall Public Library. Architect: Ann Beha Architects; Pamela W. Hawkes FAIA,
principal-in-charge; Steven Gerrard, AIA, project manager; Robert Genova, AIA,
Brandon Prinzing, Robert Miklos, FAIA, Anne-Sophie Divenyi, AIA, and Grorgy
John, project team. Associate architect: JMZ Architects and Planners. Interior
designer: Design Network. Structural engineer: Schoder Rivers Associates.
Mechanical/electrical engineer: Quantum Engineering Co. General contractor: Le
Chase Co. Construction manager: The Pike Company. Landscape architect, civil
engineer: The LA Group, Landscape Architecture and Engineering. Library
consultant: Nolan Lushington. Lighting designer: Sladen Feinstein Integrated
Lighting. Acoustician: Acentech Inc. Graphic designer: Wojciechowski Design.
Specifications: Wil-Spec Architectural Specifications. Furniture dealer:
Creative Library Systems. Photographer: Peter Vanderwarker.
what
Wallcoverings:
Tectum Fabric, Sound Concepts. Paint: PPG. Laminate: Flomica, Nevamar. Flooring:
Permashine Polished Concrete System, Dal Tile, Nora Rubber Floors. Carpet/carpet
tile: Shaw, Mannington, Interface. Ceiling: Armstrong. Doors: Kaneer, Cherry
Hardwood Flush Doors. Skylights: Kalwall. Glass: Polygal, Lumasite. Window
frames: Kawneer Encore Storefront Glazing, Raco Aluminum. Window treatments:
MecoShade. Library and conference seating: Agati. Library and conference tables:
Versteel, KI, Krug, Palmieri. Administrative desk, files: Knoll. Administrative
seating: Stylex, Source International, Gunlocke. Lounge seating: David Edwards,
Cartwright, Carolina, August Incorporated. Other seating: KI, Thonet, Krug, OFS.
Other tables: David Edwards. Shelving: MJ Industries, Gressco, Peter Pepper.
Elevators: Schindler.
where:
Location: Glens Falls, N.Y. Total floor
area: 52,837 gross sq. ft. No. of floors: 3 + basement. Average floor size:
17,000 sq. ft. Book capacity: 164,352 (total cataloged books, adult/children),
9,454 (other print materials), 191 (electronic materials), 32,502 (audio and
video recordings), 114,862 (all other materials), 321,361(total). Seating
capacity: 500 (staff and library patrons). Cost/sq. ft.: $193.
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