design - features - green design
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Transformative Design: The Means to Sustainability and Future Success
15 January, 2010
An excerpt from Chapter 9: Tranformative Design, The Green Workplace:
Sustainable Strategies that Benefit Employees, the Environment, and the Bottom
Line by Leigh Stringer, vice president, HOK, LEED. For more on Stringer's
views and her new book, read HOK's
Leigh Stringer Talks Green and check back Tuesday to read Contract
Magazine' s exclusive Q&A. --SS
Chapter 9: Transformative
Design
By analyzing the way buildings have evolved over thousands of
years, there is much to be learned from the past. Indigenous populations have
always used local resources to create shelter. And the environmental impact of
these structures has been almost negligible. Consider the tipi popularized by
the Native Americans of the Great Plains. A tipi (also tepee, or teepee) is a
durable conical tent, originally made of animal skins or birch bark that
provides warmth and comfort in winter, is dry during heavy rains, and is cool in
the heat of summer. Tipis could be disassembled and packed away quickly when a
tribe decided to move, and could be reconstructed quickly after settling in a
new area. This portability was important to those Plains Indians who had a
nomadic lifestyle.
Consider also the rondavel, a traditional
African home made of mud and straw. These structures, usually round in shape,
are traditionally made with materials that can be locally obtained in raw form.
The rondavel’s walls are often constructed from stones with mortar that
may consist of sand, soil, or some combination of these mixed with dung. The
floor is finished with a processed dung mixture to make it smooth. The roof
braces of the rondavel are made out of tree limbs cut to length. The roof
itself is thatch sewn to the wooden braces with grass rope. The process of
completing the thatch can take one weekend or up to a year if done by a skilled
artisan, as it must be sewn in one section at a time, starting from the bottom
working toward the top. As each section is sewn, it is weathered and aged in to
form a complete weatherproof seal.
Ironically, neither the tipi nor the
rondavel are likely to receive an architectural design award or Leadership in
Energy and Environmental Design (LEED) or Building Research Establishment
Environmental Assessment Method (BREEAM) certification for their design
ingenuity, but they are some of the most sustainable structures in existence.
Zero-waste structures are just not part of the building vocabulary in a
postindustrial society. Demographic and market forces pressure designers and
builders to use more materials, water, and energy to support a global economy
while increasing humanity’s ecological footprint. The old Native American
proverb, “Take only what you need and leave the land as you found it,” becomes
an almost impossible target. Design alone will not be the quick fix to solving
environmental problems. That said, there is much to be learned from the way
designers approach problems that can help transform the way organizations solve
problems and tremendously benefit the environment.
New Ways of
Thinking
Solving environmental problems requires thinking and acting
differently, because traditional approaches—to business, industry, and
policy—will only take organizations down a path that is status quo. Many claim
that business as usual is what caused major environmental problems to begin
with. That’s where design thinking comes in to play. In 1969, Nobel Laureate
Herbert Simon noted that “[e]ngineering, medicine, business, architecture, and
painting are concerned not with the necessary but with the contingent—not with
how things are, but with how they might be—in short, with design. Everyone
designs who devises courses of action aimed at changing existing situations into
preferred ones. Design, so construed, is the core of all
professional
training.”
Successful designers (of buildings, products,
services, and organizations) must be willing to admit that there is no “set
solution” and that the answer to making the planet greener cannot be bought off
a shelf. Instead, environmentally savvy designers use their principles,
creativity, and a willingness to learn and adapt to guide them to new and more
sustainable solutions. For many organizations, this way of thinking requires new
skills and a different process for developing solutions.
Think back
several decades. The traditional twentieth-century company was successful
because of its hierarchical structure, division of labor, clear chain of
command, economies of scale, and the controls in place that kept it running
efficiently. The traditional organizational model, initially based on practices
established during the industrial revolution, worked well for twentieth- century
business needs. Though much of these structural features are still relevant,
there are some that will not be as useful in the twenty-first century, given the
breakthroughs needed to differentiate business solutions and solve seemingly
impossible environmental obstacles.
Roger Martin, Dean of the Rotman
School of Management at the University of Toronto, asserts that modern firms
should become more like design shops. He notes:
Whereas traditional firms organize around ongoing task and
permanent
assignments, in design shops, work flows around projects with
defined
terms. The source of status in traditional firms is managing big
budgets
and large staffs, but in design shops it derives from building a
track record
of finding solutions to incredibly complex problems—solving
tough mysteries
with elegant solutions. Whereas the style of work in
traditional firms
involves defining roles and seeking the perfect answers,
design firms feature extensive collaboration, “charettes” (focused brainstorming
sessions) and constant dialogue with clients.
Also important
in any design process, in addition to intellectual curiosity and tenacity, are
defining limits for the creative process and focusing on performance- based
solutions that combine aesthetics, function, and long-term impacts. Solving for
one of these factors is not enough.
© HOK, Inc. 2009. Excerpt with
permission from "The Green Workplace: Sustainable Strategies that Benefit
Employees, the Environment, and the Bottom Line" by Leigh Stringer, vice
president, HOK.
Transformative Design: The Means to Sustainability and Future Success
15 January, 2010
An excerpt from Chapter 9: Tranformative Design, The Green Workplace:
Sustainable Strategies that Benefit Employees, the Environment, and the Bottom
Line by Leigh Stringer, vice president, HOK, LEED. For more on Stringer's
views and her new book, read HOK's
Leigh Stringer Talks Green and check back Tuesday to read Contract
Magazine's exclusive Q&A. --SS
Chapter 9: Transformative
Design
By analyzing the way buildings have evolved over thousands of
years, there is much to be learned from the past. Indigenous populations have
always used local resources to create shelter. And the environmental impact of
these structures has been almost negligible. Consider the tipi popularized by
the Native Americans of the Great Plains. A tipi (also tepee, or teepee) is a
durable conical tent, originally made of animal skins or birch bark that
provides warmth and comfort in winter, is dry during heavy rains, and is cool in
the heat of summer. Tipis could be disassembled and packed away quickly when a
tribe decided to move, and could be reconstructed quickly after settling in a
new area. This portability was important to those Plains Indians who had a
nomadic lifestyle.
Consider also the rondavel, a traditional
African home made of mud and straw. These structures, usually round in shape,
are traditionally made with materials that can be locally obtained in raw form.
The rondavel’s walls are often constructed from stones with mortar that
may consist of sand, soil, or some combination of these mixed with dung. The
floor is finished with a processed dung mixture to make it smooth. The roof
braces of the rondavel are made out of tree limbs cut to length. The roof
itself is thatch sewn to the wooden braces with grass rope. The process of
completing the thatch can take one weekend or up to a year if done by a skilled
artisan, as it must be sewn in one section at a time, starting from the bottom
working toward the top. As each section is sewn, it is weathered and aged in to
form a complete weatherproof seal.
Ironically, neither the tipi nor the
rondavel are likely to receive an architectural design award or Leadership in
Energy and Environmental Design (LEED) or Building Research Establishment
Environmental Assessment Method (BREEAM) certification for their design
ingenuity, but they are some of the most sustainable structures in existence.
Zero-waste structures are just not part of the building vocabulary in a
postindustrial society. Demographic and market forces pressure designers and
builders to use more materials, water, and energy to support a global economy
while increasing humanity’s ecological footprint. The old Native American
proverb, “Take only what you need and leave the land as you found it,” becomes
an almost impossible target. Design alone will not be the quick fix to solving
environmental problems. That said, there is much to be learned from the way
designers approach problems that can help transform the way organizations solve
problems and tremendously benefit the environment.
New Ways of
Thinking
Solving environmental problems requires thinking and acting
differently, because traditional approaches—to business, industry, and
policy—will only take organizations down a path that is status quo. Many claim
that business as usual is what caused major environmental problems to begin
with. That’s where design thinking comes in to play. In 1969, Nobel Laureate
Herbert Simon noted that “[e]ngineering, medicine, business, architecture, and
painting are concerned not with the necessary but with the contingent—not with
how things are, but with how they might be—in short, with design. Everyone
designs who devises courses of action aimed at changing existing situations into
preferred ones. Design, so construed, is the core of all
professional
training.”
Successful designers (of buildings, products,
services, and organizations) must be willing to admit that there is no “set
solution” and that the answer to making the planet greener cannot be bought off
a shelf. Instead, environmentally savvy designers use their principles,
creativity, and a willingness to learn and adapt to guide them to new and more
sustainable solutions. For many organizations, this way of thinking requires new
skills and a different process for developing solutions.
Think back
several decades. The traditional twentieth-century company was successful
because of its hierarchical structure, division of labor, clear chain of
command, economies of scale, and the controls in place that kept it running
efficiently. The traditional organizational model, initially based on practices
established during the industrial revolution, worked well for twentieth- century
business needs. Though much of these structural features are still relevant,
there are some that will not be as useful in the twenty-first century, given the
breakthroughs needed to differentiate business solutions and solve seemingly
impossible environmental obstacles.
Roger Martin, Dean of the Rotman
School of Management at the University of Toronto, asserts that modern firms
should become more like design shops. He notes:
Whereas traditional firms organize around ongoing task and
permanent
assignments, in design shops, work flows around projects with
defined
terms. The source of status in traditional firms is managing big
budgets
and large staffs, but in design shops it derives from building a
track record
of finding solutions to incredibly complex problems—solving
tough mysteries
with elegant solutions. Whereas the style of work in
traditional firms
involves defining roles and seeking the perfect answers,
design firms feature extensive collaboration, “charettes” (focused brainstorming
sessions) and constant dialogue with clients.
Also important
in any design process, in addition to intellectual curiosity and tenacity, are
defining limits for the creative process and focusing on performance- based
solutions that combine aesthetics, function, and long-term impacts. Solving for
one of these factors is not enough.
© HOK, Inc. 2009. Excerpt with
permission from "The Green Workplace: Sustainable Strategies that Benefit
Employees, the Environment, and the Bottom Line" by Leigh Stringer, vice
president, HOK.
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